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Bogdan Nestorović
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[[File:Akvarel Bogdan Nestorovic Hram Svetog Save 1931.jpg|thumb|A watercolor from 1931 shows one of Bogdan Nestorović's final studies for the Cathedral of St. Sava]]
[[File:Tanjug Belgrade.jpg|thumb| TANJUG]]
[[File:Radio beograd headquarters.jpg|thumb|Radio Belgrade main radio station in Belgrade, 1931]]
[[File:Zgrada u Ul. M. Tita 3.JPG|thumb|Residence of Vitomir Konstantinovič in ul. Srpskih Vladara 3. 1926-27]]
'''Bogdan Nestorović''' (* 1901 , † 1975 ) was a Serbian architect, author and university teacher. He is particularly involved in the elaboration of the plan of the Cathedral of Saint Sava , merged with Aleksandar Deroko's contribution, for which he was the chief architect responsible from 1935 to 1941. As a designer, he designed several renowned Belgrade buildings. Bogdan's father is well known Serbian architect [[Nikola Nestorović]].
== Professional career ==
Bogdan Nestorović finished studying architecture in Belgrade in 1923. He then went to study in Paris where he also worked in large architectural offices. After his return to the Kingdom of Serbs, Croats and Slovenes, he worked between 1926 and 1930 in the architectural firm "Arhitekt". In 1930 he was appointed assistant to the Faculty of Architecture in Belgrade. She remained his permanent job until his retirement. At the faculty, he taught the design of residential buildings as well as style and architectural history. For his life's work in 1971 he received the award of the 7th of July.
=== Main works ===
Before the Second World War Nestorović won two architectural competitions, 1931-33 the Zanatski Dom (later Radio Beograd) and 1938 the building PRIZAD (later TANJUG ).
In the second tender for the construction of the Cathedral of St. Sava 1926-27 he was awarded the second prize the highest award. The Commission determined that a final project should be implemented by the merger of his and Aleksandar Deroko's draft. The further development took place until 1934. From 1934 to 1941 Nestorović was responsible for the construction of the church as the chief architect, the Second World War and a ban on building the Communist Party 1945-1984, however, prevented its completion. Following the general guidelines Nestorović & Deroko succeeded in succession Branko Pešić the building in which he changed but in particular constructive method.
=== Cathedral of Saint Sava history ===
A total of 22 architects participated in the second competition in the Kingdom of Yugoslavia in 1926. The evaluation was conducted by Patriarch Dimitrije, Jovan Cvijić as President of SANU ( Serbian Academy of Sciences and Arts ), architects and academicians Andra Stevanović and Bogdan Popović, and architects Pera Popović and Momir Korunović.<ref>NIN, Nr. 2696, 29. August 2002 [http://bit.ly/2UIu3k1 Ta, pocnite jednom stogod]</ref> They were among the 22 competition entries national and international provenance yet not a single one that met all specifications. Not one of them followed the invitation to tender that the elevation of the church should be based on the "national" style of the Late Byzantine "Morava School". Most of the contributions were modeled on either the monastery church Gračanica or the Hagia Sophia.<ref>Ljubomir Milanović 2012: S. 69</ref> The Commission also complained that overall the contributions had offered a low level.<ref>Ljubomir Milanović 2012: S. 70</ref> The best-placed contribution came from Bogdan Nestorović, whose work took a second place and a monumental copy of Gračanica. In general, the bankruptcy contribution of Nestorović awarded a relatively uninspired model, with a compilation of simple elements close to the model of the Gračanica Monastery Church, while other contributions to the competition contributed more strongly to Expressionist forms.<ref>Aleksandar Kadijević 2016: S. 53–55</ref> Only with the further complete revision Nestorović adapted volume and dimensions more closely to the model of the Hagia Sophia and their dome system, which was related to the size of the building.<ref>Aleksandar Kadijević 2016: ''Byzantine architecture as inspiration for serbian new age architects''. Katalog der SANU anlässlich des Byzantinologischen Weltkongresses 2016 und der Begleitausstellung in der Galerie der Wissenschaften und Technik in der Serbischen Akademie der Wissenschaften und Künste, Serbian Committee for Byzantine Studies, Belgrade. ISBN 978-86-7025-694-1 Hier S. 53</ref>
=== Other works ===
Nestorović is the author of numerous architectural history studies. It includes studies from antiquity to the 19th century. A classic of the subject is "Arhitektura Srbije XIX veka" (Architecture in Serbia in the 19th century). The book shows the entire stylistic architecture development in Serbia with its stylistic transition from eastern-Islamic heritage to models of Western architecture. Nesotorović is Nestor of architectural history through his collection of old photographs of buildings in Serbia. His collection is today stored in the Serbian Academy.<ref>RTS [http://bit.ly/2KjjxM7 Srpska Arhitektura XIX veka]</ref>
For the development of the architecture of Serbia, twelve banks of various banks built by Nestorović are significant.<ref>RTS [http://bit.ly/2KjjxM7 Srpska Arhitektura XIX veka]</ref> In Belgrade he was a designer of a large number of residential buildings until the Second World War. For example, the house Vitomira Konstantinoviča in the Ul. Srpskih vladara 3 (1926-27).
== References ==
[[File:Tanjug Belgrade.jpg|thumb| TANJUG]]
[[File:Radio beograd headquarters.jpg|thumb|Radio Belgrade main radio station in Belgrade, 1931]]
[[File:Zgrada u Ul. M. Tita 3.JPG|thumb|Residence of Vitomir Konstantinovič in ul. Srpskih Vladara 3. 1926-27]]
'''Bogdan Nestorović''' (* 1901 , † 1975 ) was a Serbian architect, author and university teacher. He is particularly involved in the elaboration of the plan of the Cathedral of Saint Sava , merged with Aleksandar Deroko's contribution, for which he was the chief architect responsible from 1935 to 1941. As a designer, he designed several renowned Belgrade buildings. Bogdan's father is well known Serbian architect [[Nikola Nestorović]].
== Professional career ==
Bogdan Nestorović finished studying architecture in Belgrade in 1923. He then went to study in Paris where he also worked in large architectural offices. After his return to the Kingdom of Serbs, Croats and Slovenes, he worked between 1926 and 1930 in the architectural firm "Arhitekt". In 1930 he was appointed assistant to the Faculty of Architecture in Belgrade. She remained his permanent job until his retirement. At the faculty, he taught the design of residential buildings as well as style and architectural history. For his life's work in 1971 he received the award of the 7th of July.
=== Main works ===
Before the Second World War Nestorović won two architectural competitions, 1931-33 the Zanatski Dom (later Radio Beograd) and 1938 the building PRIZAD (later TANJUG ).
In the second tender for the construction of the Cathedral of St. Sava 1926-27 he was awarded the second prize the highest award. The Commission determined that a final project should be implemented by the merger of his and Aleksandar Deroko's draft. The further development took place until 1934. From 1934 to 1941 Nestorović was responsible for the construction of the church as the chief architect, the Second World War and a ban on building the Communist Party 1945-1984, however, prevented its completion. Following the general guidelines Nestorović & Deroko succeeded in succession Branko Pešić the building in which he changed but in particular constructive method.
=== Cathedral of Saint Sava history ===
A total of 22 architects participated in the second competition in the Kingdom of Yugoslavia in 1926. The evaluation was conducted by Patriarch Dimitrije, Jovan Cvijić as President of SANU ( Serbian Academy of Sciences and Arts ), architects and academicians Andra Stevanović and Bogdan Popović, and architects Pera Popović and Momir Korunović.<ref>NIN, Nr. 2696, 29. August 2002 [http://bit.ly/2UIu3k1 Ta, pocnite jednom stogod]</ref> They were among the 22 competition entries national and international provenance yet not a single one that met all specifications. Not one of them followed the invitation to tender that the elevation of the church should be based on the "national" style of the Late Byzantine "Morava School". Most of the contributions were modeled on either the monastery church Gračanica or the Hagia Sophia.<ref>Ljubomir Milanović 2012: S. 69</ref> The Commission also complained that overall the contributions had offered a low level.<ref>Ljubomir Milanović 2012: S. 70</ref> The best-placed contribution came from Bogdan Nestorović, whose work took a second place and a monumental copy of Gračanica. In general, the bankruptcy contribution of Nestorović awarded a relatively uninspired model, with a compilation of simple elements close to the model of the Gračanica Monastery Church, while other contributions to the competition contributed more strongly to Expressionist forms.<ref>Aleksandar Kadijević 2016: S. 53–55</ref> Only with the further complete revision Nestorović adapted volume and dimensions more closely to the model of the Hagia Sophia and their dome system, which was related to the size of the building.<ref>Aleksandar Kadijević 2016: ''Byzantine architecture as inspiration for serbian new age architects''. Katalog der SANU anlässlich des Byzantinologischen Weltkongresses 2016 und der Begleitausstellung in der Galerie der Wissenschaften und Technik in der Serbischen Akademie der Wissenschaften und Künste, Serbian Committee for Byzantine Studies, Belgrade. ISBN 978-86-7025-694-1 Hier S. 53</ref>
=== Other works ===
Nestorović is the author of numerous architectural history studies. It includes studies from antiquity to the 19th century. A classic of the subject is "Arhitektura Srbije XIX veka" (Architecture in Serbia in the 19th century). The book shows the entire stylistic architecture development in Serbia with its stylistic transition from eastern-Islamic heritage to models of Western architecture. Nesotorović is Nestor of architectural history through his collection of old photographs of buildings in Serbia. His collection is today stored in the Serbian Academy.<ref>RTS [http://bit.ly/2KjjxM7 Srpska Arhitektura XIX veka]</ref>
For the development of the architecture of Serbia, twelve banks of various banks built by Nestorović are significant.<ref>RTS [http://bit.ly/2KjjxM7 Srpska Arhitektura XIX veka]</ref> In Belgrade he was a designer of a large number of residential buildings until the Second World War. For example, the house Vitomira Konstantinoviča in the Ul. Srpskih vladara 3 (1926-27).
== References ==
April 09, 2019 at 10:56PM
